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18.97.14.86
Nihilism in artistic comprehension of Ivan Turgenev and Fyodor Dostoevsky
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ФИЛОСОФИЯ, ЭТИКА И РЕЛИГИОВЕДЕНИЕ,  ПОЛИТИЧЕСКИЕ НАУКИ И РЕГИОНОВЕДЕНИЕ
UDC
32 Политика
Publisher
State Academic University for the Humanities
Date of publication
08.11.2018
Public year
2018
Nihilism in artistic comprehension of Ivan Turgenev and Fyodor Dostoevsky
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Annotation
In the article Turgenev’s works are considered from the position of correlation of culture, public mind and ideological processes. Authors investigate contents and nihilism concept's transformation from it's absurd form by Turgenev to it's immoral form in demons by Dostoevsky. Methodological basis of the article can be designate as functionality of politics in the work's artistic gist. Authors find that one-sided political reading of the text is not only limit existential scope of an artist, but also oversimplify the subject of an artistic comprehension itself. In the center of authors attention there is the situation of unexampled alternative reading's versions of the novel by contemporaries, the reason of what authors see in ambivalent Turgenev's position. He portray his Bazarov as a transitional social type and Bazarov's nihilism as a symptom of the time. In Turgenev's work it's the symptom of a search for the lost bonds with proactive reformative life, although bounded in absurd forms. In Dostoevsky's works nihilism in forms of immoral philosophical and active position become a symptom of decline and death, loss the bond with reality by young generation.
Polylogos. 2018 № 3
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About authors
Irina Shcherbatova, 
Senior Research Fellow, Department of Philosophical Studies of Ideological Processes
Senior Research Fellow, Institute of Philosophy of RAS
Artyom Bezmenshchikov
Junior Research Fellow, Institute of Philosophy of RAS
References

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2. Brown Catherine. Henry James and Ivan Turgenev: Cosmopolitanism and Croquet. Literary Imagination. Vol. 15, number 1, March 2013. Pp. 109–123.

3. Kliger I. Scenarios of Power in Turgenev’s First Love: Russian Realism and the Allegory of the State. The Center for Slavic, Eurasian, and East European Studies Comparative Literature. 2018. Vol. 70. Issue 1. DOI 10.1215/00104124-4344056. Pp. 25-45

4. Reid Robert. Introduction: Turgenev: Art, Ideology and Legacy. In: Turgenev: Art, Ideology and Legacy (Studies in Slavic Literature and Poetics). Ed. by Andrew, Joe; Reid, Robert. Vol.56. Rodopi: Amsterdam – New York, 2010. Pp. 1-22.

5. Ripp V. Turgenev's Russia: From “Notes of a Hunter” to “Fathers and Sons”. Ithaca and London: Cornel University Press, 1980.

6. Dostoevskij F.M. Pis'mo nasledniku A.A. Romanovu. 1873 g. [Ehlektronnyj resurs] URL: http://dostoevskiy.niv.ru/dostoevskiy/pisma-dostoevskogo/dostoevskij-romanovu-10-fevralya-1873.htm. Data obrascheniya: 16.07.2018

7. I.S. Turgenev v vospominaniyakh sovremennikov. V dvukh tomakh. M.: Khudozhestvennaya literatura, 1983. T. I. 527 s. T. 2. 557 p.

8. Istoriya russkoj literatury. V chetyrekh tomakh. L.: Nauka, 1982. T. 3. 877 p.

9. Kara-Murza A.A. Ivan Sergeevich Turgenev: «Ya vsegda byl "postepenovtsem", liberalom starogo pokroya...» // Rossijskij liberalizm: idei i lyudi. 3-e izd. M., 2018. T. 1. Pp. 279-295.

10. Mochul'skij K.V. Gogol'. Solov'ev. Dostoevskij. M.: Respublika, 1995. 608 p.

11. Pustarnakov V.F. Filosofiya Prosvescheniya v Rossii i vo Frantsii: opyt sravnitel'nogo analiza. – M.: IF RAN, 2001. 341 p.

12. Turgenev I.S. Ottsy i deti // Polnoe sobranie sochinenij i pisem v 30-ti tomakh. Pis'ma v 18-ti tomakh. M.: Nauka, 1978-2016. Sochineniya. M.: Nauka, 1981. T. 7. 560 p.

13. Turgenev I.S. Polnoe sobranie sochinenij i pisem v 30-ti tomakh. Pis'ma v 18-ti tomakh. Pis'ma 1862-1864. T. 5. M.: Nauka, 1988. 640 p.

14. Turgenev I.S. Polnoe sobranie sochinenij i pisem v 30-ti tomakh. Pis'ma v 18-ti tomakh. M.: Nauka, 1978-2016. Pis'ma iyun' 1867- iyun' 1868. T. 8. M., 1990. 408 p.

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