I show that Kant’s depiction of the christic figure in Religion within the Boundaries of Mere Reason is not contingent but explains how this figure functions in two essential ways: as a representation of a maximum of morality that can ground our moral disposition and in so doing acts as a stan­dard for morality. More precisely, the following argument is made: 1) the sublime nature of the image of Christ — as an image of universal respect for the law — awakens the moral feeling of subjects in the sense of the possibility of overcoming one’s perverted nature; 2) as moral perfection it provides immediate transparency to the end goal of morality; 3) just as in the case of associative construction of empirical concepts, the sublime provides the prototype for association through which empirical acts are determined as moral ones; 4) the image of Christ also acts as motivator by encompassing said trans­parency and standard in the idea of moral perfection. These four points show that the image of Christ functions in a dual manner. Points 1) to 3) address Christ as a prototype/archetype (Urbild) — awakening and making possible a moral redefinition of the subject — while point 4) addresses Christ as an example (Vorbild) — sustaining and entertaining the moral redefinition as a motivating model.